The Making of a Bb Pilipinas National Costume Pt.2

With a lavish and ambitious costume such as the La Reina Emperatriz terno, the next phase is to find a designer to collaborate with to make this vision into reality. This is where Sir Pablo Galicia Mendez came in. It was this symbiotic partnership that made a flat 2D illustration come to life.

What made this tandem a perfect collaboration was the fact that there were much discussions involved on the material, color and execution. Unlike other designers who are too strict in their vision, the ‘La Reina Emperatriz‘ costume was borne out of constant fine tuning which kept the creative juices flowing. The design itself was a living evolving creation. It was as much as Sir Pablo’s as it was mine. This is where the creative sensibilities of two merged to come up with a magnificent overall outcome for the original design.

What he did was to bring new ideas of embossed embroideries (like those of Marian and Sto. Nino statues), brass embellishments, stones and crystals mixed with 3D printing to make this a totally fresh take on the traditional terno. Through his connections in the industry, he was able to find artist/ painter Jeffrey Catuira who did all the 3D printing on the costume (mainly located on the sides and back panels). Throughout weeks of back and forth discussions, we were able improve, alter and polish on the design. Eventually the design was simplified so instead of layers, it became just a single layer in ecru. The crown was a bit of an overkill and was dropped and the stiffness was lessened. So when it was time to submit original designs for BPCI to see, the design was met with immediate approval.
In fact, Conchitina Bernardo even exclaimed that this was inspired from Santo Niño. The costume was jokingly nicknamed ‘our lady of Araneta’ (Nuestra Señora de Araneta in Spanish) due to its overall design, despite the fact that it was the Santacruzan that first inspired it.

The final terno was made from a structured material embellished with baroque gold metal brass, heavy embroideries with crystals and stones, plus 3D painting. Topping the costume was a baroque gold brass headdress that is a representation of the halo of Saint Helena.
Such creative endeavor are quite rare to see nowadays. For me this was not just an exercise of creativity but a proof that when two or three or four minds come together to collaborate, the outcome is always a labour of love… While this isn’t my first rodeo (so to speak), I am nonetheless intrigued if such possibility will present itself again in the future. But if it does, I already have a design in mind and it will be an exercise of one’s haute couture sensibilities once again…

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